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Uniqlo Boy T-shirt
  • Uniqlo Boy T-shirt
  • Uniqlo Boy T-shirt

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$20.00

Uniqlo Boy classic t-shirt. Gildan 5000 Heavy 100% preshrunk cotton blends. Seamless rib at neck. Double-needle stitching throughout. Printed in the USA. Limited Stock - Order Now!

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Physical Albums

Digital Albums

Telegram Mews

André Akinyele

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Funk-pop driven hip-hop and R&B with tight beats and free-floating paths of ethereal and innovative production in the likes of D'Angelo, Erykah Badu, and Prince with hints of the soul essence of Maxwell.

André Akinyele, one of funk and R&B's most musically diverse indie artists, finally releases Telegram Mews (2018), arriving 2 years after his full-length critically acclaimed The Unauthorized Playlist (2016). Filled with solid musicianship, social and political awareness, and transcendental production, Telegram Mews is a blend of funk/pop-driven hip-hop, erotica, and mystical soul-R&B. The twisting melodies of André's musicality are here. The pop/synth-driven "T.O. (Toronto)" provides a glimpse into his new life in the Canadian city. The soulful and layered vocal harmonies are at the center of the tech-soul-funk "Sweet Thang" and the cover of Prince's "The Ballad of Dorothy Parker." The title track and the D'Angelo inspired "Old Skool Vibe" are party anthems filled with reggae-tinged, head bobbin' grooves. The soulful and erotic piano-driven "Body" and "Call Me," featuring Jon O'Bergh on piano, harkens to André's love of romanticism. In contrast, the politically conscious songs "Immigrant" and "Compassion" are relevant to the state of world turbulence, with the latter song featuring EFFIIGY.

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The Unauthorized Playlist

André Akinyele

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With pristine vocal arrangements, this underground hip-hop, funk, and futuristic album takes cues from contemporary visionaries, such as Pharrell Williams, Erykah Badu, and D'Angelo, to create a distinctive consciousness.

A radical in his own right, reclusive musician André Akinyele defied stereotypical genres long ago to focus on his diverse musicality, a conscious rejection of mainstream conformism. Almost two decades into his music career, André Marcel Ajamu Akinyele remains a magnetic and viable presence in the music industry. With pristine vocal arrangements on top of an ol' skool vibe, The Unauthorized Playlist uses underground hip-hop, funk, and futuristic sounds to explore the madness of keeping secrets, the anger of friendship betrayal, and the rise of self-empowerment. A worthy contrast to his earlier works—including Metal Skin and Ivory Birds (2015) and The Potomac Syndrome (2012), as well as his jazz/funk efforts with his band Gemini Soul and rock band Looking for Lester—The Unauthorized Playlist takes cues from contemporary hip-hop, R&B, and "neo-soul" visionaries, such as Pharrell Williams, Erykah Badu, and D'Angelo, to create a distinctive consciousness. The Unauthorized Playlist is also sexy, direct, and intimate with songs like "After Dark," "Turnin' Me To Stay," and "Midnight," with the latter evoking R&B/Soul singer Maxwell. The Unauthorized Playlist backs away from the typical mixtape scheme and introduces a playlist concept. Put on your headphones and bounce, as The Unauthorized Playlist is one of André Akinyele's most electrifying, eccentric works.

Album Credits: Executive produced by André Akinyele with guest features by MV, LoLo, Big Mike, Lil O, DJ Glo, GDP, and FV.

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The Metal Skin and Ivory Birds Remixes

André Akinyele

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Dance, house, and the electronic styles reminiscent of Miguel Migs, Aya, and the Blue Six catalog.

Songs taken from André Akinyele's highly anticipated release Metal Skin and Ivory Birds, these remixes encapsulate the sounds of deep house, dance, and electronic soul. Reminiscent of such artists as Miguel Migs, Aya, and the Blue Six catalog, Akinyele's soul-driven sound is transcendent.

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Metal Skin and Ivory Birds

André Akinyele

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Organic soul food for the heart and mind with its refreshing and powerful questioning of the world, where no one or nothing is off limits. Hauntingly beautiful and compelling, it features a passionate cover of Tori Amos' "Crucify."

The reclusive André Akinyele has returned with his fourteenth album Metal Skin and Ivory Birds. Produced over a year, the songs were recorded in one to three takes to keep the raw and powerful emotions that capture the essence of the entire album and the songs are presented in the order they were written and recorded. The musicianship is a culmination of everything he's learned throughout his musical journey.

The album ends with a passionate cover of Tori Amos' "Crucify," which replaced an original song "The Marks of Cain and Abel." Overall, Metal Skin and Ivory Birds is musically inspired by Joni Mitchell's 1975 album The Hissing of Summer Lawns and lyrically inspired by current events, for which Metal Skin and Ivory Birds is about observations and experiences, questioning the world where no one or nothing is off limits. Akinyele states in the song "Threatened By All Things," he has nothing to lose.

Metal Skin and Ivory Birds is probably one of the most honest albums ever created because he is offering a singer-songwriter approach just as Joni Mitchell, Curtis Mayfield, Bob Dylan, Pete Seeger, Fela Kuti, Marvin Gaye, and Gil Scott-Heron did by tackling social issues of the time. Akinyele states "it's an album that questions; especially, the state of the music industry, suicide, religion, spirituality, self-awareness, and politics. I want this album to spark conversation."

Album Credits:

Produced, arranged, composed, and performed by André Akinyele and features pianist Jon O’Bergh, The New Jazz Horns, Holmes Run Orchestra, and percussionist Earl Jones.

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The Potomac Syndrome

André Akinyele

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The Potomac Syndrome is a mixture of many musical genres, including alternative pop/rock tunes to urban /r&b grooves in the likes of Lenny Kravitz, Meshell Ndegeocello, and Rahsaan Patterson.

The Potomac Syndrome is an eclectic album. Self-produced, The Potomac Syndrome is the latest addition to André Akinyele's assorted catalog and features a mixture of many musical genres, including alternative pop/rock tunes to urban/r&b grooves in the likes of Lenny Kravitz, Meshell Ndegeocello, Rahsaan Patterson, etc. The album opens with the title track “The Potomac Syndrome,” a funk/rock inspired tune reminiscent of early Lenny Kravitz. Tracks like “Run To” and “Help Me” find Akinyele's passion for love ignited. However, in contrast, songs like “Nebula” and “Tip of My Tongue” show Andre experimenting with technology and various synths suggestive of the early 80s.

Album Credits:

Produced, arranged, composed, and performed by André Akinyele.

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